Tuesday, October 16, 2007

A Stately Family Reunion

For the last several days, I have been unusually busy. On Wednesday, I went shopping for clothes; on Thursday, I bought a new pair of shoes; on Friday, I went to a dinner with my family; on Saturday, I attended a matinee, took part in a brief guided tour, and went to an opera; and on Sunday, I went to the unveiling of a newly restored grave site. It was all part of (or for the sake of) a reunion of the descendants of Moses Mendelssohn.

What follows is a brief article (entitled "Familientreffen von fast 300 Mendelssohns") from last Friday's Berliner Zeitung. I translated it as best I could.
This weekend, Berlin will be the site of a special family reunion. Berlin's Senatorial Office stated yesterday that nearly 300 descendants of Moses Mendelssohn, the Jewish merchant and philosopher of Berlin, will be present as guests of the Senate. The idea originated from André Schmitz, the Kulturstaats-Sekretär (Deputy Minister for Culture). The occasion is the now-completed restoration of the Mendelssohn family's grave site and stelae in the Jewish graveyard in Schönhauser Allee in Prenzlauer Berg. Today, the Präsident des Abgeordnetenhauses (speaker of Berlin's state parliament), Walter Momper (SPD), will greet the descendants of the philosopher (who died January 4, 1786, in Berlin) in a festive reception at the Rotes Rathaus. (dpa)
There is a lot to write about, so I think I'll post this first, and add details when I have the time and inclination. My hermit friend has already posted her own more timely and descriptive accounts of the activities, so feel free to read those in the meantime (here and here).

Sunday, October 07, 2007

The Paintings of Patinir

Although I have been familiar with Joachim Patinir's Charon Crossing the Styx for some time, I have tended to pass over his paintings and the works of his contemporaries (e.g. Heironymus Bosch and Herri met de Bles). Yesterday, however, a visit from my godfather awoke in me an appreciation for Flemish Northern Renaissance landscape paintings.

My godfather had recently gone to the Museo Nacional del Prado (in Madrid) to see the world's first Patinir exhibition. When he came to visit us, he brought with him postcards, catalogues, and pamphlets from the exhibition. On looking over them, I was immediately struck by the deep greens and blues of the paintings -- the Landscape with St. Jerome, for example.

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I really like how, in the above landscape as in others, the rich greens and browns in the foreground fade to paler blue-greens, faint blue, and finally to rich blue in the distance. The overall effect is pleasing, and not as chaotic as some of Bosch's paintings.

Although I find Patinir's use of colour delightful in itself, the real charm of his paintings lies in the details. If one looks closely, one can find many entertaining little scenes scattered throughout his paintings. To begin with, there is the main subject (usually a biblical one -- St. Jerome, in this case), which is often surprisingly small and inconspicuous.

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Then, there are various further figures -- human and otherwise -- in the surrounding countryside. Here, for example, a lion is attacking an unfortunate traveller and his donkey:

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Better examples can be found in Landscape with the Rest on the Flight into Egypt.

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In the painting, at the right, soldiers can be seen advancing through a small village and nearby fields. I am not particularly familiar with the Bible, so my understanding of the scene is limited. Considering the title of the painting, however, I assume that the soldiers are killing the male infants on Herod's orders.

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I'm not sure what exactly the strange temple-like building is in the detail below. At any rate, if you look closely, you can see a monster sitting on one of the towers. It seems to be accepting sacrifices (e.g. a bird and a sheep or goat).

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The temple-like building and the fortress on the hill are both examples of the interesting architectural specimens that are scattered throughout Patinir's landscapes. The Landscape with St. Jerome has many such buildings and towns. In the next detail, you can dimly see the most distant of those towns, complete with a long bridge, roofs, steeples, and sailing ships.

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The following detail is, in retrospect, rather pointless. I think I chose it mainly because of the colours. Oh well. It also includes some of the massive towering rocks that are frequently found in the paintings.

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To finish off, here is part of Bosch's famous triptych, The Garden of Earthly Delights (from the WebMuseum).

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Disordered or not, I must admit that there is more going on in Bosch's paintings. In the above detail, there is truly a wealth of fascinating creatures. One could spend a considerable amount of time examining the creatures and the fantastical, somewhat futuristic, landscape.


Note: The Landscape with St. Jerome images are taken from a Museo del Prado postcard. The postcard is only about 10 x 12 cm, so the details aren't very clear (sorry).

Another Note: The Landscape with the Rest on the Flight into Egypt images are taken from another (larger) Museo del Prado print. The print is approximately 20 x 30 cm, and the actual painting is 121 x 177 cm (about 48 x 70 inches).

Final Note: All the images were edited using Adobe Photoshop. The colours, brightness, contrast, and so on, are inevitably different from those of the actual painting (sorry again).

Thursday, October 04, 2007

A Very Lengthy Stroll

Yesterday, to commemorate German Unity Day, my sister and I went on an excursion to the Reichstag. Rather than take the bus, we walked all the way there and all the way back. We live relatively close to Potsdamer Platz (I suppose), so it wasn't unreasonable to walk (I suppose).

We began by going along the Hauptstraße and the Potsdamer Straße to the Kulturforum. Along the way, we passed U-Bahnhof Bülowstraße, which is (unlike most U-Bahn stations) above ground. I have always liked the architecture of U-Bahnhof Bülowstraße. In my view, the combination of glass, metal, and stone is tasteful and pleasing to the eye. I would have taken a photo of the station earlier, but, since I always took the bus, I kept missing the opportunity.

U-Bahnhof Bülowstr.

The following photo was taken just before crossing the Landwehrkanal. The Staatsbibliothek and the Sony Center are in view. You can even see the blurry dome of the Reichstagsgebäude off in the distance (about at the vanishing point, I think).

Potsdamer Straße

We rested for a while at the Kulturforum, where I took several photos. The first two shown below depict the St. Matthäuskirche (from the Kulturforum side and from the Staatsbibliothek side). I guess I made the second one too dark after all, but I've already uploaded it, so I don't want to bother changing it now. Besides, I don't particularly mind the photo as it is, even if the church tower blends into the clouds.

St. Matthäuskirche

St. Matthäuskirche (silhouette)

The next photo (of the Philharmonie) was taken because the scene -- especially the trees to the left of the Philharmonie -- had such a Canadian air. The yellow of the building also has a warm luminous quality.

Philharmonie

In the following photo, you can see (for example) the Sony Center, the Deutsche Bahn skyscraper (located right at Potsdamer Platz), and the "Die Welt" hot-air balloon. If the Philharmonie were in the photo, it would be just to the left of the Sony Center.

View from Kulturforum

The last Kulturforum photo is of the Staatsbibliothek (Haus Potsdamer Straße). Note the jagged, factory-like roof and the shiny scaffolding.

Staatsbibliothek zu Berlin

Having rested, we decided to take a shortcut by passing to the left of the Philharmonie (rather than to the right). We soon came across wandering crowds that were clearly there for the German Unity Day festivities. We followed the crowds through the Tiergarten -- a pleasant route, though a bit of a detour.

Tiergarten

What with the birch trees, the delicate green and yellow foliage, and the soft golden winter-cherry lanterns, I found the surroundings decidedly fairy-like (despite the aforementioned unfairy-like wandering crowds). The combination of the lanterns, the cobblestone path, the lawn, and the low metal railing was also somewhat reminiscent of late nineteenth-century England (specifically, the parks, gas lights, and narrow streets of London).

After exiting the Tiergarten, we came to a road lined with booths, where such things as waffles, crêpes, Bratwurst, gebrannte Mandeln (roasted, sugary almonds), garlic baguettes, Chinese food, cotton candy, clothing, jewellery, and handicrafts could be bought. The booths were interrupted periodically by huge screens, which were broadcasting a nearby live concert. The accompanying loudspeakers projected a booming that could be heard as far away as the Kulturforum. Rather headache-inducing, as were the crowds. Still, it wasn't entirely unpleasant to weave through the people, searching for the Reichstag, as well as a crêpe and a sausage for me, and some cotton candy for my sister.

I found myself a crêpe with apple sauce soon enough, but the Reichstag proved to be more elusive. We were never strictly lost, I'd say, but it took us some time to espy the familiar glass dome and stone façade. When we finally arrived at the expanse of lawn in front of the Reichstag, our shadows already stretched a goodly distance before us, and the light had acquired a warmth that fit well with the autumn colours.

Reichstagsgebäude

Reichstagsgebäude

The building in the next photo is the Paul-Löbe-Haus, which is between the Kanzleramt and the Reichstag on the edge of the Platz der Republik.

Paul-Löbe-Haus

It was really nice, by the way, to stand in such a wide-open space -- to be able to see the sky stretch far in every direction. Berlin in general is not a cramped city; the streets, and especially the intersections, are spacious. I think I see more sky here than I did in my wooded home in Canada.

Anyway, having reached our original goal at last, we decided to wend our way home (preferably after having bought the sausage and cotton candy). At first, we went past the Reichstag along the Scheidemannstraße, thinking to come across another row of booths on the way to the Brandenburger Tor. From what we saw from a distance, however, it seemed that the concert was all we would find in that direction. Besides, the street to the Brandenburger Tor was blocked off (i.e. we would have had to go the long way around).

As a result, we ended up walking back the way we came. Along the way, we passed a plain stone monument to the victims of the Berlin Wall (that is, a monument to the people who died trying to cross over the Berlin Wall to the West). It struck me when I first saw it, because what I initially assumed were bouquets of flowers turned out to be discarded paper cups, napkins, and other garbage that had been left on the monument. To treat the monument as a trash can was, in my opinion, thoughtless, disrespectful, and entirely inappropriate considering the occasion.

On the way back to the Kulturforum, we also passed a ferris wheel and a crane from which people could bungee jump. Part of the crane (namely, the big pole) can be seen in the following photo of the Siegessäule and the setting sun.

Siegessäule

By the time we were on the Hauptstraße again, it was dark, and I really didn't feel like walking any more. Walk we did, though, and we arrived safely home some time around 19:30 or 20:00.


Note: All of the above photos were edited using Adobe Photoshop.

Monday, October 01, 2007

Ablehnungsbescheid

Today, I received an ominously thin letter from the Freie Universität zu Berlin (FU). It was, in fact, a letter of rejection. The reason why I was not accepted is, as I understand it, that I did not provide proof that I can understand and communicate at a university level in German. I should have included papers showing that I passed a German language test.

When I think about it, my path is clear enough: find out more about the language test, and see about taking and passing it. I can then apply to the FU again, hopefully with better results.

It really does help to think concretely about what I can do, rather than feeling guilty for being ill-prepared and for lacking motivation and enterprise. I do feel guilty and pessimistic sometimes, but, needless to say, nothing constructive comes of such feelings. Quite the opposite, in fact.

So, here's to looking forward! \o/